HALOGÉNURE #10
Huit artistes sont présentés dans ce numéro 10 :
Arno Brignon – Julie Hascoët – Jesus Monterde –
Marco Marzocchi – Chris Leskovek – Giorgi Shingelia – Mat Van Assche – Elise Corvaglia 
Et les textes de :
Frédéric Martin – Arno Brignon – Sabrina Biancuzzi – Annakarin Quinto – Jean Fournier 
Nombre de pages : 3 cahiers de 56 pages soit 168 pages au total.
Format : 21.8 cm x 25.4 cm
Impression : Imprimé sur presse HUV Offset
Papiers : Multiart silk 200g, Munken Lynx Rough 170g et Munken Lynx  120g.

CAHIER 10B
SNAPSHOT ET THÉRAPIE
Pas de cahier belge pour ce numéro 10 mais une connexion italo-chilienne avec une pointe neo- zélandaise.
Marco Marzocchi continue de creuser sa veine psychanalytique avec Bullet, suite de son magnifique Oyster (édité chez Void), il continue de se raconter, de raconter la vie de ses proches, de raconter un quotidien sombre mais traversé de lueurs. Bullet est une série monstre, qui semble sans fin, des centaines d’images, des dessins, des négatifs grattés, des collages, un flux ininterrompu. Nous sommes comme plongés dans son cerveau en ébullition qui cherche en permanence non pas à comprendre mais à accepter le réel tel qui se déroule, à lui donner une forme pour pouvoir l’habiter. Bullet est le résultat de ce combat.

 Chris Leskovsek est un photographe d’origine chilienne, il y a une dizaine d’années il s’est expatrié en Nouvelle-Zélande. Un choc, un déracinement et une difficulté à appréhender cette nouvelle réalité. C’est par la photo qu’il a réussi à dépasser cet état dépressif, il est descendu dans la rue Neozed et se met à y errer sans fin et à photographier ce qui passe devant ses yeux. Avec son petit appareil à focale fixe, toujours en noir et blanc, il prélève des morceaux de réel, avec le secret espoir que cela lui permettra de comprendre un peu mieux cette nouvelle réalité dans laquelle il vit.


TROPICAL STOEMP 03

LA REVUE BELGE DE PHOTOGRAPHIE !
Bienvenue dans ce nouveau numéro de votre revue belge de photographie.
Vous commencez à connaitre la formule. On est maintenant un peu comme à la maison. Ce magazine vous propose 80 pages de photographies, toujours construites de la même manière, suivant la trame d’un récit inspiré d’un titre de chanson. Pas de texte. Uniquement des images. Pas de portfolios personnels, mais une longue histoire racontée à plusieurs voix.
Et ce troisième opus nous emporte dans les méandres de la foi, de la passion, et du sacré, avec le titre Personal Jesus du groupe Depeche Mode.
Nous remercions chaleureusement les trente-sept photographes qui composent cette ode, à l’heure où des IA illustrent les couvertures des magazines et où ChatGPT crée les préceptes d’une nouvelle religion.
80 pages
Offset print / 22 x 28 cm / Soft cover with gold ink & metallic hot stamping
Photographs : Michael Ackerman, Federico Arcangeli, Ogulcan Arslan, Cécile Baldewyns, Stéphane Charpentier, Guillaume Chauvin, Cloro, Aurore Dal Mas, Régis Delacote, Jérémie Denis, Didier Derien, Edward Dimsdale, Johan Entchev, Dorian Feraud, Jessica Gérard, Emiliano Gori, Manu Jougla, Aleksei Kazantsev, Marco Marzocchi, Fábio Miguel Roque, Elie Monferier, Mila Nijinsky, Igor Pisuk, Paco Poyato, David Pujol, Myriam Rispens, Swiffer Roux, Roberto Segate, David Siodos, Rafael Tanaka Monzó, Pablo Tegli, Alan Tex, Jordan Utley, Mathieu Van Assche, Simon Vansteenwinckel, Manon Weiser, Mickael Zermati.

CATS

CATS – 200 IMAGES AND 2 VIDEOS CELEBRATING OUR RELATIONSHIP WITH DIVINITY
AA.VV.
cm 18×11
212 pp.
Softcover con adesivi verde fluo applicati + set di adesivi extra
Perfect bound
Stampa offset scala di grigi su Fedrigoni Arena Rough Ivory 120gr.
Prima edizione di 400 copie
Dicembre 2022

"AMO INTENSAMENTE, ODIO ALTRETTANTO"

Photozine, format A5 (21 x 14,8 cm), 24 pages, edition of 50, numbered and signed, color print.
Selfpublished
OUT OF STOCK

DUMMY MAGAZINE

Heart isue n#75
HeartAs important as heart engagement is in the personal sphere, its absence in the political sphere is a scandal. In view of this political failure, the question arises again and again whether personal commitment releases the state from its responsibility. Conversely, it is also popular to excuse one's own inaction by pointing to the responsibility of politics. Neither line of thinking has much to do with genuine empathy.

PHOTOBOOKS. ART PAGE BY PAGE

The book shows a selection of international photobooks from the last decades, with a focus on the photobook as an art object and a storytelling medium. The interaction between photography, material, binding, form, and format offers many possibilities for experimentation and demonstrates the potential of the photobook as an artistic medium unto itself.
With essays by Jörg Colberg, Silvia Gaetti and Calin Kruse
The book was published in conjunction with the exhibition Photobooks. Art Page by Page, co-curated by Calin Kruse / dienacht Publishing for the GRASSI Museum of Applied Arts in Leipzig, Germany.
Size: 10 x 24 cm, 148 pages
Open binding with wooden covers, laser engraving
Every cover is slightly different
in English and German

FISHEYE MAGAZINE #50

“Instinct”

Fifty issues for a daily newspaper takes less than two months to design, for Fisheye it took us more than eight years. Not that we are lazy, but it takes enthusiasm to tell a story, especially with images. The story of a medium that never stops transforming itself in a magazine that takes its time, it sometimes sparks. Fisheye is not about photography but about photographers, authors, those who create with the real and the unreal. In their complexity, they have brilliantly allowed us to better tell the world in which we live, or at least, we think we live. They inspire us, exalt us, transcend us, sometimes irritate us, but do not leave us indifferent in any way. When I look at the covers of Fisheye, I see joys, pride, disappointments, contradictions, late closings, moments of life, talents, unknowns, stars, women, men, a dog, a cat, birds and now a snake. Emblem of the vital energy by its moult, this animal comes to act the successful transformation, if I judge from your numerous comments, of our new concept.

FISHEYE PHOTO REVIEW 2021.22

1.5 kg of photos, 291 photographers, 564 images.
For the fifth consecutive year, Fisheye sums up a year of explorations, curations and digital publications in a physical book with a refined aesthetic.
In 376 pages, 291 photographers, 564 images and almost 1.5 kg, we take the time to observe. All of these series were featured over this past year, i.e., during the pandemic. A suspended time, where dreamlike images have taken on an unprecedented role in our mostly often direct, even crude, relationship with the world—almost as if it were necessary to find crossroads to transmit a mental projection, to reinvent a relationship with reality in order to better embellish it.
The Fisheye Photo Review 2021.22, a true “bible” of contemporary photography, a handbook of inspirations, a guide of rising stars offers unexpected connections between fashion, documentary, intimate and experimental projects. This book gives a unique insight into today’s visual arts, and proves that there are no limits to audacity. Whether they work with cyanotype, film or digital, the 300 or so artists published here send us a unique and positive message. No, creativity is not at rest!

GRANDMAMA'S PRINT MAGAZINE, ISSUE 1 INCEPTION

136 pages

5 projects

5 short interview

article

method of working on projects

https://grandmamasmag.com/

HOW TO DESTROY EVERYTHING

🦅
photographs-concept-edit-text: Marco Marzocchi
design: Andrea Occhipinti (maggotbraingraphics.com)
copyright 2020
photographs-concept-edit-text: Marco Marzocchi
this edition: studiofaganel
All rights reserved
First edition published in Italy in 2020 by: studiofaganel
Printed in Italy
Print Run: 100 copies numbered and signed
Cover illustration- tattoo: Arianna Settembrino
studiofaganel.com